Adriana Lara examines the instability of meaning, the structures and patterns, in which content and form merge, reflect on each other, and dissolve. Through this line of exploration her practice takes on many different formats and shapes as she experiments with different contexts with an open-ended, non-academic approach. She curates exhibitions under the collective Perros Negros, and has also edited the fanzine Pazmaker since 2006.
Lara’s work has been shown at the Nassauischer Kunstverein Wiesbaden (2017), Kunstverein Braunschweig (2016), Air de Paris (2016), 21er Haus-Belvedere/Vienna (2014), Kunsthalle Basel (2012), Utah Museum of Fine Arts/Salt Lake City (2010) amongst many others. Her work has been featured in numerous group exhibitions at the Sculpture Center/New York (2016), Kunsthalle DenFrie/Copenhagen (2015), the Marrakech Biennale 5 (2014), dOCUMENTA (13) (2012), CCA Wattis Institute for Contemporary Arts/San Francisco (2012), the New Museum/New York (2009), and the Jumex Collection/Mexico City (2008).