Loading Events
  • Names
    Ayreen Anastas, Marcel Broodthaers, Matthew Buckingham, François Bucher, Bernadette Corporation, Jeremy Deller, Gardar Eide Einarsson, Hard Farocki and Andrei Ujica, Jean-Luc Godard, Sharon Hayes, Nancy Holt and Robert Smithson, Emily Jacir, Gareth James, Alexander Kluge, Phillip Lai, David Lamelas, Simon Martin, John Menick, Avi Mograbi, Lucas Ospina, Pier Paolo Paolini, Mai-Thu Perret, Walid Raad, José Alejandro Restrepo, Marc Robinson, Keith Sanborn, Allan Sekula, John Smith, Sue Tompkins, Andy Warhol
  • Title
    In The Poem About Love You Don't Write The Word Love
  • Category
    Exhibition
  • Curator
    Tanya Leighton
  • Date
    Jan 1, 1970
  • Time
    12:00 am
  • Opening Reception

    Saturday, May 19, 7 – 10 pm

  • Press Text
In The Poem About Love You Don’t Write The Word Love, installation view.
In The Poem About Love You Don’t Write The Word Love, installation view.

 

Lucas Ospina, Pedro Manrique Figueroa — Museum of Poverty, America in 1973, 2006/07. Wooden structure, ink, watercolour and pencil on paper. Dimensions variable. Courtesy of the artist and Departamento de Arte Facultad de Artes y Humanidades, Universidad de los Andes, Bogatá.
Lucas Ospina, Pedro Manrique Figueroa — Museum of Poverty, America in 1973, 2006/07. Wooden structure, ink, watercolour and pencil on paper. Dimensions variable. Courtesy of the artist and Departamento de Arte Facultad de Artes y Humanidades, Universidad de los Andes, Bogotá.

 

Foreground: David Lamelas, Rock Star (Character Appropriation), 1974. 8 black-and-white photographs. Each 8 inches x 10 inches. Courtesy of the artist and Galerie Jan Mot, Brussels. Background: Gardar Eide Einarsson, FT wall painting, 2004/05. Emulsion paint. Dimensions variable. Courtesy of the artist.
Foreground: David Lamelas, Rock Star (Character Appropriation), 1974. 8 black-and-white photographs. Each 8 inches x 10 inches. Courtesy of the artist and Galerie Jan Mot, Brussels. Background: Gardar Eide Einarsson, FT wall painting, 2004/05. Emulsion paint. Dimensions variable. Courtesy of the artist.

 

François Bucher, Forever Live: The Case of K. Gun, detail, 2006. DVD, color, sound 15 minutes 38 seconds; DVD Black and white, 4 minutes 30 seconds; 5 newspapers. Dimensions variable. Courtesy of the artist.
François Bucher, Forever Live: The Case of K. Gun, detail, 2006. DVD, color, sound 15 minutes 38 seconds; DVD Black and white, 4 minutes 30 seconds; 5 newspapers. Dimensions variable. Courtesy of the artist.

 

Mai-Thu Perret, Positiveland (Isolation Bungalow Furniture), 2006. Latex, lamps, fabric. Dimensions variable. Courtesy of the artist and Greene Naftali, New York.
Mai-Thu Perret, Positiveland (Isolation Bungalow Furniture), 2006. Latex, lamps, fabric. Dimensions variable. Courtesy of the artist and Greene Naftali, New York.

 

Sue Tompkins, Untitled, 2006. Newsprint with typed text in 10 parts from the installation Satellites, Tonya Bonakdar Gallery, New York, 2006. Courtesy of the artist and Tanya Bonakdar Gallery, NYC, and the Modern Institute, Glasgow, Scotland.
Sue Tompkins, Untitled, 2006. Newsprint with typed text in 10 parts from the installation Satellites, Tonya Bonakdar Gallery, New York, 2006. Courtesy of the artist and Tanya Bonakdar Gallery, NYC, and the Modern Institute, Glasgow, Scotland.

 

In The Poem About Love You Don’t Write The Word Love, installation view. Foreground: Mai-Thu Perret, Positiveland (Isolation Bungalow Furniture), 2006. Background: Sue Tompkins, Untitled, 2006.
In The Poem About Love You Don’t Write The Word Love, installation view. Foreground: Mai-Thu Perret, Positiveland (Isolation Bungalow Furniture), 2006. Background: Sue Tompkins, Untitled, 2006.

 

Emily Jacir, Sexy Semite, 2000-2001. Ink over newspaper pages with three framed newspaper articles. Dimensions variable. Collection of the artist. Courtesy of the artist and Anthony Reynolds, London, and Alexander and Bonin Gallery, New York.
Emily Jacir, Sexy Semite, 2000-2001. Ink over newspaper pages with three framed newspaper articles. Dimensions variable. Collection of the artist. Courtesy of the artist and Anthony Reynolds, London, and Alexander and Bonin Gallery, New York.

 

Emily Jacir, Sexy Semite, 2000-2001. Ink over newspaper pages with three framed newspaper articles. Dimensions variable. Collection of the artist. Courtesy of the artist and Anthony Reynolds, London, and Alexander and Bonin Gallery, New York..
Emily Jacir, Sexy Semite, 2000-2001. Ink over newspaper pages with three framed newspaper articles. Dimensions variable. Collection of the artist. Courtesy of the artist and Anthony Reynolds, London, and Alexander and Bonin Gallery, New York..

 

Emily Jacir, Sexy Semite, detail, 2000-2001. Ink over newspaper pages with three framed newspaper articles. Dimensions variable. Collection of the artist. Courtesy of the artist and Anthony Reynolds, London, and Alexander and Bonin Gallery, New York.
Emily Jacir, Sexy Semite, detail, 2000-2001. Ink over newspaper pages with three framed newspaper articles. Dimensions variable. Collection of the artist. Courtesy of the artist and Anthony Reynolds, London, and Alexander and Bonin Gallery, New York.

 

Gareth James, Get Real Estate, 2003. Paper sculptures, drawings, plywood tables. Dimensions variable. Courtesy of the artist and American Fine Arts, New York.
Gareth James, Get Real Estate, 2003. Paper sculptures, drawings, plywood tables. Dimensions variable. Courtesy of the artist and American Fine Arts, New York.

 

Gareth James, Get Real Estate, 2003. Paper sculptures, drawings, plywood tables. Dimensions variable. Courtesy of the artist and American Fine Arts, New York.
Gareth James, Get Real Estate, 2003. Paper sculptures, drawings, plywood tables. Dimensions variable. Courtesy of the artist and American Fine Arts, New York.

 

Sharon Hayes, Symbionese Liberation Army (SLA), 2002. Videotapes. Dimensions variable. Courtesy of the artist.
Sharon Hayes, Symbionese Liberation Army (SLA), 2002. Videotapes. Dimensions variable. Courtesy of the artist.